During my last year of grad school I participated in a professional-development workshop on crafting academic book proposals with A Real Editor. As long as we submitted our proposals in advance, she’d read them and offer a critique. We were all very excited—and scared. If she liked our work, we could’ve had an “in” at one of the best presses around; if she didn’t, it could’ve meant a pass from the press for years to come. Continue reading this article on Vitae.